Department of Foreign Languages and Chinese Traditional Opera courses at National Taiwan University to a certain extent. But now, as an overseas traveller, in the mixed culture, and because of these "others" that are far apart, they have repeatedly returned to the essence, and once again faced the question of "who am I" in my heart, and it is impossible to give answers. an answer to the question. In terms of time, Bai Xianyong's works were dense and heavy when he was young, but they became lighter and lighter as he got older. The magazine that he founded with his colleagues during the foreign language department of National Taiwan University, "Yu Qing's Wife" is probably the most famous.
When I read Bai Xianyong's "Sister Yuqing", on the telemarketing list one hand, I can see that Bai's brushwork inherits the style of the early Republic of China, and the presumptuous children's words even more reveal the obscurity and depth of the mansion. arrow_forward_iosunderstand more Powered by GliaStudio On the one hand, it also has a profound Western philosophical texture, especially the "must have" struggle derived from Greek tragedy, trying to escape from fate but always falling into fate, but even so, it still has a sense of confrontation with self-immolation. . Bai Xianyong's works more or less capture the intersection of Eastern and Western literature: fighting against the system with one person's strength will eventually lead to collapse, but the characters always force their faces to smile instead of grinning.
This kind of bravery may also be said to be the last face given to the characters when they face the bleak ending. It is precisely because this kind of mercy must be gentle, but it also leaves readers with a deeper meaning of desolation. Bai Xianyong's works when he was young are not so much about himself as about his father's generation. I know very little about Bai Chongxi, but I also know that this is a group that lost its roots after the civil war between the Kuomintang and the Communist Party. Facing these deep homes and defeats and setbacks since he was a child, Bai Xianyong chose to write the landscape of this era in a regretful style, which is actually a kind of modesty towards his parents.